Header Ads

Maurya, as a tragic heroine in Synge’s play, Riders to the Sea

Riders to the Sea

John Millington Synge

(Maurya, as a Tragic Heroine)

Maurya, as a tragic heroine  in Synge’s play, Riders to the Sea

Q. Consider Maurya in Synge’s Riders to the Sea as a tragic heroine.

Answer: Maurya in Synge's Riders to the Sea can indeed be seen as a tragic heroine. The play is a tragedy, and Maurya is the central character whose fate is the focus of the narrative. Maurya is a character who experiences a great deal of emotional turmoil throughout the play.

She is torn between her love for her son Bartley and her fear of losing him to the sea. Her conflicting emotions are evident when she prays for his safety but then immediately prepares his shroud in case he does not return. Her emotional struggle is a key aspect of her tragic character. Here are some reasons why Maurya fits the archetype of a tragic heroine:

Maurya is a character of noble birth, in the sense that she is the matriarch of her family and the leader of her community. She is respected by the people around her and has a position of authority. However, her noble status is not enough to protect her from the tragedies that befall her.

Maurya's tragedy is compounded by the fact that she lives in a society that is at the mercy of the sea. The sea is a powerful force that shapes the lives of the people in her community, and they are constantly at risk of losing loved ones to its unpredictable nature. Maurya's tragic fate is therefore a reflection of the larger societal tragedy of the people who live by the sea.

Maurya's tragic fate is that she loses all her sons to the sea, which is the source of life and death in her community. Her tragedy is therefore universal and symbolic of the human condition, which is marked by suffering and loss. Her story is a commentary on the fragility of life and the inevitability of death.

Maurya's tragic flaw is her fatalistic attitude towards life. She has lost all her male family members to the sea, and she believes that her remaining son Michael is also dead. She has resigned herself to the inevitability of death and is not surprised when her fears are confirmed. Her fatalistic outlook is what ultimately leads to her downfall.

Maurya's tragic character is also shaped by her relationship with her remaining son, Bartley. She is fiercely protective of him and wants to keep him safe from the dangers of the sea. However, her fatalistic attitude and the harsh reality of their circumstances make it impossible for her to protect him completely. This creates a sense of tension between Maurya and Bartley, as she tries to control his actions and he resents her interference.

Maurya undergoes a catharsis, a moment of realization and transformation. When she sees Bartley, her son, off to the sea, she is torn between her desire to protect him and her fatalistic belief that he will die. However, when she hears that Michael's body has been recovered, she realizes that she cannot bear to lose another son. This realization marks a change in her character and shows her coming to terms with the tragedy that has befallen her.

Maurya's tragic story is also a commentary on the position of women in traditional Irish society. As a widow and a mother, Maurya occupies a position of authority in her community. However, her power is limited by her gender, and she is unable to protect her family from the tragedies that befall them. Her tragic fate is therefore a reflection of the larger societal tragedy of women who are powerless to change their circumstances.

In summary, Maurya in Synge's Riders to the Sea can be seen as a tragic heroine because she is a character of noble birth, experiences emotional turmoil, undergoes a catharsis, and has a tragic fate that is symbolic of the human condition. Her tragic story is also shaped by her relationship with her son Bartley, the society she lives in, and the limitations placed on women in traditional Irish culture.

*****

👉 G. B. Shaw's play, Candida: Character of Eugene Marchbanks

👉 'Sailing to Byzantium' by W.B. Yeats - Critical analysis

👉 'In a Station of the Metro' by Ezra Pound as an imagist poem

👉 A Doll’s House by Henrik Ibsen: Late 19th century Middle-Class values

👉 Back-formation and its importance in English language

👉 Split infinitives in the English language: importance and function

👉 Grimm's Law, a linguistic principle of the systematic sound shifts

Post a Comment

0 Comments